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From the start, both women are struggling. Dolores is recovering from a disastrous exhibit of her photography and Serena’s band – the Sirens – is already on its last legs. Dolores has taken a temp job at MTV and Serena is taking out ads on Craigslist for males submissives as a dominatrix. From there, the young ladies dabble in fetish photography after meeting a kink magazine publisher and entrepreneur. As a way to make more money, Serena pursues fetish porn, soon enough proposing that she and Dolores take up making movies of their own. Dolores is reluctant at first, but after a disastrous episode when Serena is brutally assaulted on a set, the two bond over misfortune and agree that indie kink filmmaking may be the way to go: provided that they’re “in control.” The misadventure entails getting all the necessary elements together, starting with a script, which means bringing aboard a writer – another Craigslist “catch” – and lights, and a camera, etc. The mid-section of this book, more or less, is a spoof on indie filmmaking, involving lying, blunt manipulation, and larceny; meanwhile the subplot of how unpaid drug dealers are finally and surely catching up with Serena and Dolores provides tension and suspense. Will they make the kinky movie that will save their lives? Or will drug dealers kill them first?
As mentioned earlier, these are two drug-loving partying women, and drugs are ultimately their undoing. As the pressure and stress mounts, so does their drug intake. And this is how the book approaches satire — because the idea is pushed to comic extremes (think: FEAR AND LOATHING IN LAS VEGAS). The most dramatic moment of the novel arrives at the end of their escapade to make this movie; and the turn of events is comparable to the second act climax of BARTON FINK.
Without giving the kinky specifics away (and an appreciation of why Serena’s last name is “Moon”), the ladies go from being potential film-makers to tracked felons. And just when you think things can’t go any worse after that, they do.